I think just about every retoucher in the Bay Area has been asked to work on this Sprint campaign by Goodby, it's just such a vast campaign, I guess. Here we were asked to find out whether we could get away with a NASCAR shot that was taken in the day time and turn it into a night time shot, then create the trademark light swirls that make up the monster cars. I thought it looked halfway decent, but in the end, the time was found to do a shoot at night after all.
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